Though Dasgupta takes the audience straight to the scene of the crime, he doesn’t offer see-through solutions. He begins to probe into the matter but a police officer Sarita (Vidya Balan) and a pastor Martin Das (Nawazuddin Siddiqui) can make his task easy.
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It leaves the child’s justice-seeking grandfather John Biswas (Bachchan) in lurch, but he won’t accept defeat without a fight. Amitabh Bachchan is the cohesive force behind this thriller.Ī grieving grandfather, a crumbling city and a sarcastic cop-turned-priest: Director Ribhu Dasgupta’s TE3N is the sum of this riveting combination, made more powerful by one of Amitabh Bachchan’s finest performances.Īn eight-year-old girl is kidnapped and the police are clueless, because what looks like an ordinary crime turns out to be a meticulously planned abduction.
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While Nawazuddin brings a strangeness to the table, Sabyasachi shows how to get noticed without ditching subtility. It’s edgy, gripping and dark, mostly because of the actors and partly due to the milieu. Not for him the clichéd overdoing of Os.Ĭinematographer Tushar Kanti Ray shoots Calcutta beautifully, even if the production design is more than a tad on the nose, with clusters of framed vintage photographs better suited to the backdrop to tony Bandra eateries trying to appear old-world instead of just a wall in John Biswas' house.Cast: Amitabh Bachchan, Nawazuddin Siddiqui, Vidya Balanīased on the Korean thriller Montage, TE3N is like a Hitchcock film where you keep staring at the screen in anticipation of a new twist even though you have a vague idea about the end. "Father Martin?"Īnd, of course, by Bachchan, who exposes Siddiqui's sloppy accent work as the younger actor stumbles over 'Ripon Sitreet' in the most un-Bengali fashion, the veteran expertly drops in subtle touches like saying 'kidnapar' as only Bengalis could. He is completely shown up by the reliably effective Vidya Balan who, with one disbelieving mention of his name, dangling question mark raised at the end like an eyebrow, brings alive character and context immediately. The actor, perhaps in a bid to create a coldly efficient character, plays his part too drily to be as compelling as the film demands, and - worse still - delivers unfunny lines with the air of a comic waiting for a laugh. This, it must be said, is not Siddiqui at his brightest.
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Nawazuddin Siddiqui plays Father Martin, a former policeman (now a short-sleeved clergyman) who happens to be John's confidante. It's difficult not to predict the film's twist, and - the fundamental problem in films that hinge too critically on that massive twist - when that doesn't fall into place, the whole house of cards collapses to the ground.īachchan, as said, plays John The Victim, a grieving-bereaving role uncannily similar to the one he played in Wazir mere months ago. Tragically, however, they haven't been clever at all. One of the most exasperating things about Hindi movies are their over-reliance on flashbacks, their need to spoon-feed audiences by reminding them of something they saw 10 minutes ago, and the last half-hour of Te3n goes on interminably, recapping the entire film as if to show us how clever they've been.
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A remake of the Korean thriller Montage, Te3n unfolds its dramatic plot - too sluggishly - but this isn't too bad until we hit the climax, after which the film's makers are too obsessed with Bachchan (and his reactions to the climax, and its twist) to let the story work. He's terrific in the part, evocative and righteous and overreaching for the truth but alas, Dasgupta seems too smitten with Bachchan to get a move on and tell the story. The actor shuffles through both bewilderment and clarity, everything a struggle for his John Biswas, from starting a scooter to remembering the name of the soup he's making.
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Age - and, indeed, time - are important parts of director Ribhu Dasgupta's narrative in his confoundingly titled thriller, and Bachchan is the ideal choice for the part of an inconsolable grandfather, doggedly desperate to find out about a long-ago kidnapping that led to his granddaughter's death.